(This is the last of five re-posts of previously buried essays.)

In the 1984 movie Amadeus, composer Antonio Salieri is (fictionally?) depicted as being insanely jealous of Mozart’s remarkable talent. Gradually, he descends into actual madness; and, in one compelling scene, he throws a crucifix in the fireplace in rage and despair. He had wanted to glorify God with his music; but, in the shadow of Mozart, he felt the terrible sting – rooted in pride – of being a lesser talent. It is truly tragic.

I feel sympathy for Salieri.

Many times, I have wanted to express something I was feeling in words, but the words won’t come. Many times, I have marveled at someone or something but have found myself incapable of conveying the height, depth, and breadth of my experience.

One idea that I treasure about heaven is that it will bring transcendence of our all-too-human limits. We will love and be loved perfectly. We will know and be known perfectly. We will understand and be understood… perfectly.

And our song(s), now playing obscurely in our souls, will give perfect glory to God and bring perfect satisfaction to us.

All shall be well!

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